Samson Stage XPD2m Dual Presentation System
Discontinued, this product can no longer be ordered.
(B-Stock) Samson Stage XPD2m Dual Presentation System
(B-Stock) Samson Stage XPD2m Dual Presentation System
Product no: 9000-0074-8707 Bax Music Warranty: This product comes with a 3-year warranty.
General
The neat and simple Samson Stage XPD2m Dual Presentation system sets you up with a sleek and easy-to-use, two-channel RXD2M receiver that links up to the matching pair of PXD1 bodypack transmitters. On top of that, Samson have included a pair of omnidirectional LM7 clip-on lavalier microphones, and a pair of incredibly discreet DE5 headset microphones. This flexible and complete wireless pack is a comprehensive all-in-one solution for conference rooms and lecture theatres.
Specifications
Product features
| Number of wireless system channels | 2 |
|---|---|
| Number of microphones | 4 microphones |
| Bandwidth | variable |
| Battery type | AA |
| Battery life (approx.) | 16-20 hours |
| Digital connection(s) | n/a |
| Sustainable product | not specified |
| Frequency suitable for Belgium | yes, no licence required |
| Frequency suitable for Netherlands | yes, no licence required |
| Frequency suitable for UK | yes, no licence required |
| Worldwide frequency use | yes, no licence required |
| Frequency band | 2.4 GHz |
| Including lavalier microphone | yes |
| Includes headset | yes |
| Channel | 2.4 GHz |
| Maximum frequency | not applicable |
| Minimum frequency | not applicable |
| Polar pattern | not applicable |
| Switchable frequencies | no |
| Analogue audio output type | balanced microphone out (XLR), balanced mix out (TRS jack) |
| Type of frequency band | 2.4 GHz |
| Transmission power | not specified |
Weight and dimensions including packaging
| Weight (incl. packaging) | 1,0 kg |
|---|---|
| Dimensions (incl. packaging) | 34,0 x 30,0 x 10,0 cm |
Reviews from other countries
Translate all reviews into English
We rehearsed in a 150m2, I tried placing the receiver in different positions in the space (FOH and stage floor) and it didn't change much. They were never further than 20m away from each other.
I also got the impression that when the performers would look away from the receiver, and thus, their bodies would be in between transmitter and receiver, the connection would fall off immediately - sometimes re-connecting afterwards, but not always.
All in all, even if the sound was not bad (we only tried the headsets) the experience was pretty bad because it made the microphones unreliable.
Wireless Microphones & Frequencies
Wednesday 10 May 2017 By LizanneIf you're thinking about investing in a wireless microphone or another wireless system, you'll quickly realise that there’s plenty to think about when it comes to picking out the right things. There’s also quite a bit of contradictory information online about how and where you can use certain wireless systems and frequency bands, but never fear, we're here to help! This page includes all the information you need about how frequency bands work, where you can use them, and what kind of system is likely to meet the demands of your specific setup, so you can arm yourself with the right knowledge, make an informed decision and invest in a flexible system that can back you up for years.
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