The DBX 560A puts insanely flexible compression directly in your rack. The design has been directly based on the classic, character filled DBX 160A to shape the same razor sharp audio.
To really fatten up the low-end of your mix, you need the DBX 510 Subharmonic Synth. Compatible with 500 Series racks, this unit fleshes out your set-up and will happily boost individual channels or the total mix as needed.
In an ideal world, we wouldn't even need EQ. But, since unicorns don't exist, we're glad that a high-quality 3-band parametric EQ like the DBX 530 does.
Vocals only benefit from clear and clean sound, which will often boost harder 'S', 'P', and 'B' sounds in all the wrong placed. The DBX 520 is designed to suppress those harsh peaks while leaving a squeaky clean signal.
This DBX 580 allows you to excellently amplify the signal of your microphones. It is equipped with a two-band EQ, a variable low cut and an instrument input. Amplifies your signal with up to 60 dB!
Filters
Filters