Theorie & Speeltechniek
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In 2021, the moment finally came when Anni-Frid (1945), Björn (1945), Benny (1946) and Agnetha (1950) treated the world to a completely new album. Who’d have thought it? The band had long since broken up and even the promise of a billion dollar paycheck for a tour wasn’t tempting enough to bring them back together. However, this blog isn’t going to dig through the ABBA legend (you’ll be able to find plenty of ABBA history lessons documented in countless books and YouTube clips). Instead, we’re going to look at the musicality of this special band and the technical details that made it all possible. What are the necessary elements of the ABBA sound? Where do you start if you want to write a song like ABBA and how do you capture that distinct ABBA style?
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Whether you’ve just started playing or you’ve been at it for years, every musician faces the same challenge at some point: you want to learn the rhythm or the groove of a track but it’s not working out. Maybe you’re confronted by a new technique that you’ve never tried out before and it seems impossible to learn. Are there any tricks that drummers can have up their sleeves to avoid the frustration? To be fair, there’s only one trick: broaden your horizons by taking on every genre going, and never fear any strange and new playing techniques.
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In this article, guest-blogger Wietse Hendriks shows you how to write and compose your own drum parts. Covering topics like where to find inspiration and how to deal with band leaders, conductors and composers, Wietse taps into his twelve-and-a-half years of experience as a drummer.
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Bands that feature a horn section made up of brass or woodwind instruments come in all shapes, sizes and genres. Big bands will often include around four trumpets, four trombones and five saxophones, while some cover bands make do with one trumpet, a tenor sax and maybe an alto saxophone and trombone. But the more horns you have, the harder it is to get everything perfectly aligned. So, what’s the secret to building a tight-sounding horn section? Following up on our first blog covering the brass section, we take a deeper dive into the finer details.
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You’re desperate to learn to play the guitar, but what’s the best way to do it? The internet is packed with helpful advice: theory, chords, scales, what seems like millions of different kinds of guitars… but you have no idea where to start. Is getting guitar lessons always the best solution? Here, Guestblogger Bart Hennephof lines up every option available to the complete beginner and also asks the question: how important is it to learn to play with the help of a real guitar teacher?
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The combo can be undeniably awesome: drums and percussion joining forces in one band. In principle any and every style and genre will benefit from even a little bit of percussion, but to achieve it, drummers and percussionists need to work like a well-oiled machine. All going well, you get something deeper and more interesting, whether you’re a jazz band, an indie band, or a party band.
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While you’re busy mastering any musical instrument, inevitably, a relationship is also busy developing between your instrument and your body. For any musician, the art lies in moving the body as efficiently as possible to guard off any possible aches, pains and even injuries. The Alexander Technique (AT for short) has already helped countless musicians, and here, we lay out the basics so you can start playing better and playing healthy.
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Most guitarists want to up their game by playing faster. The secret? The right approach and plenty of practice. Forget ‘talent’ and experiment with these seven tips and train yourself to speed up your playing.
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Partly thanks to televised talent show competitions, there are more vocalists than ever. Some opt to join a choir, while others sing solo. And then there are pop and jazz lovers who sing a-cappella as part of a vocal group. Want to know what it takes to sing in a vocal group? Simply read on.
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While you can’t actually ‘see’ a voice-over, it’s the element that conveys the message. Some voice-overs are so well expressed, that you not only hear what’s being said, but see images, feel things, smell things and even taste things. But how can a voice artist pull this off? A little empathy and some acting talent can go a long way, of course, but it’s just as important to know what you’re doing and really know the material you’re working with so that, when you speak, you’re speaking consciously. In this article, Myra Grünning explains how to make your voice-overs more expressive. Myra is a qualified speech therapist and speech coach and also works as a voice-over artist herself.
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Most musicians will agree that singing is the most vulnerable way of making music. At the same time, that vulnerability makes vocals a great vehicle for expressing and evoking emotion. When it comes to singing with emotion effectively, there’s one thing that’s absolutely essential: connection.
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Voice-overs can very literally say a lot. All going well, the speech is in full service of the story, but what if the voice you hear is distracting from the message? Guestblogger, Myra Grünning explains what can go wrong and what you can do about it. Myra is a qualified speech therapist and speech coach and also works as a voice-over artist herself.