Muzikant

Sooner or later, anyone working with other people in a band is going to have to deal with criticism. This can be difficult for one of two reasons: giving your band mates feedback is hard – how are they going to react? And receiving criticism can be hard on any musician’s ego. But, all going well, some constructive criticism can often make you a much better musician.

Want to write catchier songs? Then you’ll need to come up with a hook: a catchy, recurring part that makes your song instantly recognisable.

In our series on vocal technique, we’ve looked at singing with and without compression quite a few times, but we haven’t touched on one part of it yet: the transition from singing with compression to singing without compression and the voice break that comes with it. Read on and learn how to deal with it.

Guitars and keys are a great combo but can also be a real challenge when it comes to making them work together in a band. Read on and learn how you can make the guitarist and keyboardist in your band best friends — musically that is.

Pain, hoarseness, losing your voice or even developing a lump or polyp on your vocal cords: these are all some of the greatest fears of any singer. So, how can you best protect your voice and prevent damaging your vocal cords? And if you are having vocal issues, how can you get rid of them? Rather than fearing that you’ll never be able to sing again, the first thing to do is trust the healing ability of your own body and take the time to relax every moment you get!

Kamijo is a prominent figure in the Japanese music scene. He is known for his captivating vocals, stage presence, and profound lyricism. He rose to fame as a key figure in the visual kei movement, a genre characterized by its visually striking aesthetics and blending various music styles. Bax Music recently interviewed the Japanese vocalist and producer ahead of his Europe Tour 2024 “The Anthem” in June.

While the human body is ideal for making music, it hasn’t much evolved for sitting down. Drummers and pianists will no doubt be painfully aware of just how difficult it is to make music while you’re sitting. Thankfully, proper posture can help you play better and for longer. In this article, we’ll focus on just that, using drummers and pianists to set the example and talk about tailbones and hollow backs. And yes, chances are you’re going to have to learn to sit all over again.

In this part of the series on vocal technique, we’ll be looking at effects like growling, grunting, vocal fry, distortion, screaming and more, which serve as the seasoning for your vocals. With the right technique and some professional help, you can pull off these effects without the risk of straining your vocal cords.

This part of the series on vocal technique zooms in on vowels, or more specifically, the pronunciation of vowels. Keep bumping into the same issues, especially when you sing high notes? Then working on your vowels might just be the solution.

The double bass plays an important role in more music than you might think. Styles like jazz would be unthinkable without the double bass, but this plucky and versatile instrument even appears in a lot of pop music, bringing a unique, deep-diving sound that’s entirely its own.

In this edition of our blog series on singing technique, we look at singing with vibrato. Pop singers tend to use vibrato much less than classical singers, but by using a little vibrato, you can add some real flavour to your vocals – just as long as you do it the right way and at the right moment.

If you want to hit those high notes with enough volume and do it without damaging your vocal cords, then there’s only one way to do it: belt and twang. While belting gives you the necessary volume, twanging stabilises everything – and is also a helpful technique at a lower volume and pitch.