Here, you’ll learn how to digitise and edit your record collection, and commit those rare cuts to MP3s that can be slapped on your phone and taken for a walk. First, we’ll show you how to connect a turntable to a Windows or Mac computer (and it won’t matter if you’ve got a normal turntable or a USB turntable). Then we’ll start recording and converting the warm sound of your vinyl into a digital file, before doing a little bit of editing and polishing and saving it as a track-by-track MP3, WAV, or Flac album.

The Minimoog, or to be more precise: the Minimoog Model D is essentially the archetype of the synthesizer. So if you think of a synth, you’re likely to be thinking of the Model D. First released in 1970; given a short re-release by Moog back in 2016; and recently honoured by the Behringer Model D copy, the unmistakable sound of the Minimoog has helped create countless records and slapped grins on countless faces. But what exactly is the magic that lies behind what’s considered the ever enchanting analogue-hearted mother of all synthesizers?

The fact is, there’s no right or wrong way to wear a guitar strap. But, if the length of your strap doesn’t match up with the way you play, it can have a pretty negative effect. In this wee blog, we take a look at the advantages and disadvantages of a super-long, super-short, or somewhere-in-the-middle guitar or bass strap.

A ‘loop’ is what happens when you take a short (or long) snippet of music and repeat it again and again – on a loop. So, you can take a drum or guitar part and loop it. You can even sing a line and loop it. In fact, using a looper; as long as you can record it in, you can loop it. And, you can not only loop snippets of music, but record and stack endless ‘overdubs’ over the top. In this blog, we’ll take a look at the history of the loop pedal and find out exactly what you can (and can’t) do with these magic boxes.

In this article, guest author Aleah Fitzwater will walk you through the ins and outs of how to play, and purchase the hammer (or ‘hammered’) dulcimer.

In this blog, you’ll get a full explainer on how to transpose musical score. Transposing basically means shifting the notes of a piece of music up or down by a semitone or more so it can be played in a different pitch. Of course, there’s plenty of software you can use to transpose sheet music, but you learn way more when you do it yourself. And, since you can pull it off in three steps, why wouldn’t you? Is it easy? Well, not at first, but if you take your time and follow these instructions, then you’ll definitely be able to do it. We’ll take a look at transposing with software; with nothing more than pen and paper; and even transposing on the spot while you’re playing. We’ll also look at how to pitch-shift audio files.

A well-tuned violin forms the base of good intonation! If just one of the strings is even slightly too sharp or flat, then every note you play will sound slightly out of tune and the balance of your sound will be off, meaning you won’t be able to hit the right notes or play a melody that you can immediately recognise. Ultimately, it’ll make playing your violin a miserable experience. Being able to tune up is an essential skill for any violinist, so here, Guestblogger and professional violinist, Nicolas Penel offers a clear guide to bring your violin up to perfect pitch.

While many people associate the flute with classical pieces, such as the Bach Partita in A Minor, or the Mozart flute duets, you’d be surprised how often this woodwind instrument has infiltrated the world of rock. In this article, guest blogger Aleah Fitzwater will lead you through how the flute made its way into jazz, and then rock and roll, as well as some of the instrument’s biggest moments in rock history.

K-pop lovers were invited to fully indulge themselves during KPOP.FLEX; Europe’s first-ever K-pop mega festival. The event took place on Saturday the 14th & Sunday the 15th of May at Deutsche Bank Park in Frankfurt, Germany and featured some of K-pop’s most stratospheric artists, including Monsta X, Kai, NCT Dream, ENHYPEN, (G)I-DLE, IVE, Dreamcatcher and Mamamoo.

Trombones are part of a category of instruments called low brass and generally take care of the ‘body’ of the sound produced by symphony orchestras, big-bands, salsa acts and pop-band brass sections. When played using a plunger mute, the trombone can laugh, cry, whine, roar, talk and incite emotion, making it one of the most expressive instruments on the planet.

Thanks to social media, it’s never been easier for bands to reach a huge audience by dropping studio-polished tracks on online platforms. That said, sounding good in the studio is one thing – sounding just as good or even better on stage is another. Stunning live performances are exactly what sets good bands apart from the rest, which raises the question: how do you make the perfect live recording of a gig? Well, read on and learn!

Learning to play arpeggios and understanding how they work is an essential skill if you want to write some solid bass lines. Basically, arpeggios are what happen when you play the single notes of a specific chord in succession. They’re well worth learning, since an arpeggio will always match perfectly with the chord that the guitarist or key-player is hitting. So, for a bassist, practising and nailing a small library of arpeggios is actually a better first step than memorising scales, because it immediately sets you up with a full kit bag to work with when it comes to writing your own bass lines. So grab your bass and start drilling.